My favorite recording amp. Silverface Deluxe Reverb.

1929 Dobro is on a few songs

Peter Frampton's old Amek, now the flagship of Big Scary Tree

'59 Bassmans and Engineer Jeb's son.

From the couch in the control room it looks like an alien abduction. I slept here during sessions and after a gig one night.

All the acoustics for Filth. Vintage Martins and Gibsons.

Tweed Deluxe and my 2nd favorite recording amp, the Carr Mercury.

The Studer console at Gods & Heroes where I recorded Cello and edited.